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Copyright and royalties

Copyright & royalty registrations that get you paid

Unregistered songs and missing splits are where independent musicians lose the most money. Register the work, set up collection, and check that what you're paid matches what you're owed.

Short answer: Zeb Chandler files copyright registrations for music, video and writing, sets up publishing and royalty collection registrations for songwriters, artists and labels, and reviews royalty statements and audits. He also handles takedowns and demands when work is used without permission.

Copyright registrations

  • Sound recordings and musical works, including single songs, albums and group registrations
  • Audiovisual works: music videos, films, series and YouTube content
  • Literary works: books, scripts and written content
  • Chain-of-title cleanup when ownership is split among writers, producers and companies

Registration with the U.S. Copyright Office is generally required before you can sue for infringement in the U.S., and registering on time makes statutory damages and attorney's fees available. It also makes a catalog easier to license, finance or sell.

Royalty collection: who collects what

RoyaltyPaid onCollected by
Performance (composition)Radio, streaming, TV, live venuesA PRO such as BMI or ASCAP, to writers and publishers
Mechanical (composition)Streams and downloads in the U.S.The MLC for streaming; publishers and administrators
Digital performance (recording)Non-interactive streaming, satellite and internet radioSoundExchange, to master owners and featured artists
Master incomeStreams, sales, videoYour distributor or label, under your contract
SyncFilm, TV, ads, gamesNegotiated license fees, to both copyright owners

Zeb registers songs and recordings with the right organizations, sets up split sheets so every writer and producer is credited correctly, and coordinates with publishers and administrators.

Royalty audits and statement reviews

If the numbers don't look right, Zeb reviews your statements against your contract, identifies what's missing and, where the contract allows, starts an audit or a demand. Audit windows are usually limited, so it pays to look early.

Copyright and royalty questions

Do I need to register my music with the Copyright Office?

Your work is protected by copyright as soon as it's fixed, but registration matters. In the U.S. you generally need a registration before suing for infringement, and timely registration makes statutory damages and attorney's fees available.

What's the difference between a sound recording and a musical work?

A song has two copyrights. The musical work (composition) is the melody and lyrics, owned by songwriters and publishers. The sound recording (master) is the recorded performance, owned by the artist or label. Each earns different royalties through different organizations.

Where do I register songs so I get paid?

Songwriters and publishers register compositions with a performing rights organization such as BMI or ASCAP for performance royalties, and with The MLC for U.S. streaming mechanicals. Owners of recordings and featured artists register with SoundExchange for digital performance royalties. Distributors and YouTube Content ID cover other income.

What is a royalty audit?

A review of the statements and records behind what a label, publisher or distributor paid you, checked against what your contract says you're owed. Most contracts give you a limited window to audit, so timing matters.

Can you help if someone used my music without permission?

Yes. Zeb can review the facts, send a takedown or demand, and work with litigation counsel if a lawsuit is needed.

Talk it through

Have a contract, a deal or a decision in front of you?

Book a consultation online or in person in Atlanta. If it's a brand deal, the flat-fee review is usually the faster route.